What Do I Write About? Tendering Your Witness
But it is not long before the writing deadlines I am already under reassert their authority. I follow meekly to my office to tending my previous fires that once sent me into fevers, but with a new light gleaming from my forehead.
Some of those gleams turn into books, essays, and blog posts. But some of them sputter into oblivion, snuffed out by the realities of life, the most pressing of which is—There Is Never Enough Time.
The question we all face is: Out of a plenitude of possibilities, yet with limited time and energy, what do we choose to write about? How do we decide?
How do we decide, then? I have followed a simple rule most of my writing life: TENDER YOUR “BURDEN OF WITNESSING.”
The phrase here is not mine. I’ve lifted it from Patricia Hampl’s wisest of words, “ . . . For we do not, after all, simply have experience; we are entrusted with it. We must do something—make something—with it. A story, we sense is the only possible habitation for the burden of our witnessing.”
What has God entrusted to you? What “burdens of witnessing” have been given to you? Start here. My first book of prose was about commercial fishing women, because there I was, in the midst of a life I was trying to live and understand, mostly unsuccessfully. I moved to memoir next, writing about my life on a wilderness island in Alaska, then onto other topics I had “witnessed”: motherhood, unplanned pregnancy, the spirituality of food, forgiveness of my schizoid father. I have never regretted a single project.
When you write as a witness from these hard places, you immediately avoid one of the greatest weaknesses of beginning writing, and even “successful” writing: writing without “mattering.” Over the years, I’ve met students and writers who can fashion beautiful sentences in their sleep—–but talent and beauty alone does not make them “matter.” Without heart, without an urgency that comes from deeply lived experience, your words on the page will only be words on a page. (And, take note: Because they matter to you doesn’t automatically make them matter to your readers. You must make them matter to the reader as well.)
Don’t worry if there’s blood. As Red Smith has written, “For my money anyway, the only books worth reading are books written in blood . . . “ [Red Smith].
Write about what you MUST write about. Write about what has been entrusted to you alone. Write about what matters most to you. Write about the things you cannot turn away from. Write about the hurt, the cheating, the doubts, the hopes, the comfort, the sickness. Our time is short—make it count.
Tender the witness you’ve been given.